As we embrace a new modernism in architecture and design, we will find similarities of style occurring, irrespective of geographic location. Accents of indigenous artistic heritage and beauty need injecting into this international style in order to balance banality with beauty. This theme is about the need to acknowledge these unique and culturally diverse reference points.

It is neither about slavish reproduction of the past, nor classical revival. It seeks to re-establish a sense of grace and beauty in a world that has become more standardised and to reinstate a sense of artistic endeavour, balancing the strident angularity of so much contemporary design with a new humanity of scale and form.

A sense of surprise is created by the use of historically rounded forms and complex patterns as a counterpoint to the rigid geometry of minimalist design. Playful concepts are added to traditional, silhouetted patterns. This draws attention to notions of past and present through witty use of modern materials, frequently combining these ideas to create thought provoking, visually intriguing yet elegant results.

The palette consists of historically and culturally diverse aspects which create a look of strength, beauty and character. True architectural neutrals are balanced by the warm mid-tones found on western historic textiles or porcelain. The more saturated deeps are reminiscent of eastern enamelware and lacquer. The overall effect is rich but innovative – a revival and elevation of beauty to new heights.